
Write backwards from the end
A jingle has to resolve exactly on the slot boundary, so plan the last beat first and fill the time in front of it.
Read more about CommercialsA jingle has one job: to be remembered after a single hearing, in less time than it takes to read this sentence. That constraint is what makes it a genuinely different brief from writing a song. It has to state a hook immediately, resolve cleanly, and end on a note that leaves room for a voiceover tag. This jingle generator is built to that shape — you name the business, the feeling and the length, and it returns cuts that fit a real advertising slot rather than fading out at an arbitrary point.
In short

What the jingle generator makes
Five seconds is a sonic logo: two or three notes, an identity rather than a tune. Fifteen seconds is the standard pre-roll and social advert length, long enough for one hook and a tag line. Thirty seconds is a full radio spot with room for a voiceover in the middle and a sung line at the end. Sixty is rare outside long-form radio. Ask for the exact length you have to fill and the arrangement is planned backwards from the ending, which is what stops a jingle from being cut off mid-phrase.

A sung jingle carries the brand name in the melody, which is why people still hum insurance adverts decades later. An instrumental bed sits under a voiceover and must stay out of the way — no melody in the same register as the human voice, and no busy percussion under speech. Most campaigns need both: a sung version for standalone use and an instrumental cut of the same music for the versions with narration over the top.

Name the business category, the feeling you want a listener to attach to it, and one concrete musical reference. "A family bakery, warm and unhurried, ukulele and hand claps, fifteen seconds, ending on a bright major chord" produces something usable. "Fun and modern" does not, because it describes an intention rather than a sound. If you have a tag line, include it verbatim — it is short enough that the model can set it to a melody without paraphrasing.
Five-second sonic logos and audio stings for brand identity
Radio and social adverts
Thirty-second radio spots with space left for a voiceover
Podcast intro and outro themes that stay consistent across episodes




Three ways in
Say what you want in a sentence — genre, tempo, mood, instruments — and hear it back arranged and performed.
Browse prompts
Who it's for
The craft
Most of what separates a usable track from a demo is decided before you press generate.

A jingle has to resolve exactly on the slot boundary, so plan the last beat first and fill the time in front of it.
Read more about Commercials
A hook short enough to hum after one hearing beats a sophisticated melody nobody retains. Repetition inside fifteen seconds is the whole craft.
Read more about Song structure
If a voiceover lands in the middle, the arrangement has to thin out there — and no melody may sit in the speech register.
Read more about Podcasts| Length | Where it is used |
|---|---|
| 5 seconds | Sonic logo. App open, brand sting, end-card. |
| 10 seconds | Short pre-roll and bumper between segments. |
| 15 seconds | Standard social and pre-roll advert. One hook, one tag line. |
| 30 seconds | Full radio spot. Voiceover in the middle, sung line at the end. |
| 60 seconds | Long-form radio and in-store loops. |
The word jingle is a poor guide to this demand: most of its search volume is Christmas songs and a 1996 film. The commercial phrasings sit elsewhere — a sonic logo generator (the term "sonic logo" alone runs at 11,000 searches a month), intro music, podcast intro music, a radio jingle maker, an advert music generator, an audio logo, a brand sound. They describe one deliverable at different lengths: three to five seconds for a sonic logo, ten to fifteen for a bumper, thirty for a broadcast spot.
Describe the business, the feeling you want attached to it, the instruments and the exact length of your slot. The jingle generator writes a short hook, arranges it and resolves it cleanly at that duration, with or without a sung line.
Five seconds for a sonic logo, fifteen for a standard pre-roll or social advert, thirty for a full radio spot with room for a voiceover. Ask for the exact length and the ending is planned to land on it.
Yes, under the commercial terms of your plan, which are shown in the app before you generate. Downloads carry no watermark, and there is no per-broadcast clearance to negotiate.
Yes. Give the tag line or the name verbatim and it is set to the melody rather than paraphrased. Short names carry best because they can land on a strong beat.
Yes. Generate an instrumental cut of the same music so the sung version and the narration version share an identity. Keep the bed out of the speech register so the voiceover stays intelligible.
Repetition and brevity. A hook of three to seven notes, stated twice inside fifteen seconds, in a comfortable singing range, will outlast something more sophisticated. Ending on the root note makes it feel resolved and easier to recall.
More ways to make music
Every surface writes to the same session — start anywhere.
An AI jingle generator writes short, memorable branded music — typically five to thirty seconds — for adverts, radio spots, podcast intros and shop-front loops. MusicGenerate produces jingles with or without a sung line, cut to the exact duration a slot requires, and licensed for commercial use so a small business can run them without clearing anything further.