MusicGenerate

The MusicGenerate Blog

An AI music blog written the way we would want to read one: source-cited, plain about what does not work, and updated when the tools change. Prompt craft, model comparisons, licensing and copyright, and the numbers behind the boom — no launch announcements dressed up as analysis.

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Inside

What we write about

The field, the craft, and the licensing questions nobody enjoys.

1 / 5

Why this exists

How we write

Generate music for free
  • Sources cited

    Claims about the field link to the thing that supports them, not to another article that also has no source.

  • Corrections in place

    When something turns out to be wrong it is fixed on the page with the date shown, rather than quietly.

  • No invented numbers

    We do not manufacture statistics, user counts or ratings to make a point land harder.

  • Written for people who make things

    The test for every post is whether it changes what a reader does next.

Frequently asked questions

What does this blog cover?

Copyright and licensing, prompt technique, genre breakdowns, platform policy changes and honest assessments of what the tools can do. No release notes, because nobody searches for those.

How often is it updated?

When there is something worth saying. Every post carries a published and an updated date, and corrections are made in place rather than quietly.

Are the statistics in these posts sourced?

Anything stated as a figure is either sourced to whoever published it or measured by us, with the method published alongside so you can repeat the test.

Who writes these posts?

They are drafted with AI assistance and reviewed by the people who build MusicGenerate before publication. That is stated plainly on the author pages rather than implied otherwise.

Can I use AI music commercially?

Under your plan’s commercial terms, yes. Several posts here cover the specifics for YouTube, podcasts and advertising, where the licensing questions differ.

Do you accept guest posts?

No. Everything here is written and reviewed in-house, which is the only way the corrections policy on the author pages means anything.